The Beatles Lyrics, album "Give My Regards to Broad Street"

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Cover of the Beatles album - "Give My Regards to Broad Street"

No More Lonely Nights (Ballad)
(Paul McCartney)

Good Day Sunshine/Corridor Music
(John Lennon and Paul McCartney)

Yesterday
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

Yesterday

Here, There and Everywhere
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

JOHN 1972: 'This was a great one of his.'

JOHN 1980: 'That's Paul's song completely, I believe.
And one of my favorite songs of the Beatles.'

PAUL 1984: 'I wrote that by John's pool one day.
When we were working together, sometimes he came in to see me.
But mainly, I went out to see him.'

PAUL circa-1994: ''Here, There and Everywhere' has a couple of interesting structural points about it… each verse takes a word.
'Here' discusses here, Next verse, 'there' discusses there, then it pulls it all together in the last verse with 'everywhere.' …John might have helped with a few last words.'

To lead a better life I need my love to be here...

Here, making each day of the year
Changing my life with the wave of her hand
Nobody can deny that there's something there

There, running my hands through her hair
Both of us thinking how good it can be
Someone is speaking but she doesn't know he's there

I want her everywhere and if she's beside me
I know I need never care
But to love her is to need her everywhere
Knowing that love is to share

Each one believing that love never dies
Watching her eyes and hoping I'm always there

I want her everywhere and if she's beside me
I know I need never care
But to love her is to need her everywhere
Knowing that love is to share

Each one believing that love never dies
Watching her eyes and hoping I'm always there

I will be there and everywhere
Here, there and everywhere

Wanderlust
(Paul McCartney)

Ballroom Dancing
(Paul McCartney)

Silly Love Songs
(Paul McCartney and Linda McCartney)

Not Such a Bad Boy
(Paul McCartney)

So Bad
(Paul McCartney)

No Values/No More Lonely Nights
(Paul McCartney)

For No One
(John Lennon and Paul McCartney)

JOHN 1972: 'Another of his I really liked.'

JOHN 1980: 'Paul's.
One of my favorites of his.
A nice piece of work.'

PAUL 1984: 'I wrote that on a skiing holiday in Switzerland.
In a hired chalet amongst the snow.'

PAUL circa-1994: 'I suspect it was about another argument.
I don't have easy relationships with women, I never have.
I talk too much truth.'

Your day breaks, your mind aches
You find that all the words of kindness linger on
When she no longer needs you

She wakes up, she makes up
She takes her time and doesn't feel she has to hurry
She no longer needs you

And in her eyes you see nothing
No sign of love behind her tears
Cried for no one
A love that should have lasted years

You want her, you need her
And yet you don't believe her when she said her love is dead
You think she needs you

And in her eyes you see nothing
No sign of love behind her tears
Cried for no one
A love that should have lasted years

You stay home, she goes out
She says that long ago she knew someone but now he's gone
She doesn't need him

Your day breaks, your mind aches
There will be times when all the things she said will fill your head
You won't forget her

And in her eyes you see nothing
No sign of love behind her tears
Cried for no one
A love that should have lasted years

Eleanor Rigby/Eleanor's Dream
(John Lennon and Paul McCartney)

The Long and Winding Road
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

PAUL 1970: 'The album was finished a year ago, but a few months ago American record producer Phil Spector was called in by John Lennon to tidy up some of the tracks.
But a few weeks ago, I was sent a re-mixed version of my song 'The Long And Winding Road' with harps, horns, an orchestra, and a women's choir added.
No one had asked me what I thought.
I couldn't believe it.
The record came with a note from Allen Klein saying he thought the changes were necessary.
I don't blame Phil Spector for doing it, but it just goes to show that it's no good me sitting here thinking I'm in control because obviously I'm not.
Anyway, I've sent Klein a letter asking for some things to be altered, but I haven't received an answer yet.'

JOHN 1980: 'Paul again.
He had a little spurt just before we split.'

PAUL circa-1994: 'It's rather a sad song.
I like writing sad songs, it's a good bag to get into because you can actually acknowledge some deeper feelings of your own and put them in it.
It's a good vehicle, it saves having to go to a psychiatrist.
Songwriting often performs that feat – you say it, but you don't embarrass yourself because it's only a song, or is it? You are putting the things that are bothering you on the table and you are reviewing them, but because it's a song, you don't have to argue with anyone… It's a sad song because it's all about the unattainable; the door you never quite reach.
This is the road that you never get to the end of.'

The long and winding road, that leads, to your door
Will never disappear, I've seen that road before
It always leads me here, lead me to your door
The wild and windy night, that the rain, washed away
Has left a pool of tears, crying for the day
Why leave me standing here, let me know the way

Many times I've been alone, and many times I've cried
Any way you'll never know, the many ways I've tried
And still they lead me back, to the long winding road
You left me standing here a long long time ago
Don't leave me waiting here, lead me to your door

But still they lead me back to the long winding road
You left me standing here, a long long time ago
Don't keep me waiting here (Don't keep me wait), lead me to your door
Yeah, yeah, yeah, yeah

No More Lonely Nights
(Paul McCartney)

Good Night Princess
(Paul McCartney)

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The Beatles Lyrics, album "Give My Regards to Broad Street"