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The Beatles Lyrics, album "Live at the BBC"

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Cover of the Beatles album - "Live at the BBC"

Beatles Greetings

From Us to You

Da da da da da dum dum dum
Da da da da da dum dum dum
Da da da da da dum dum dum

If there's anything that you want
If there's anything we can do
Just call on us and we'll send it along
With love from us to you
To you
To you
To you

Riding On a Bus

I Got a Woman
(Ray Charles and Renald Richard)

Well, I got a woman way cross town
She's good to me, oh ho yeah
Said I got a woman way cross town
She's good to me, oh yeah

She gives me money everytime I need
Yes, you know she's a kind of friend indeed
Said I got a woman way cross town
She's good to me, oh ho yeah

She says she loves me early in the morning
Just for me, oh ho yeah
She says she loves me early in the morning
Just for me, oh yeah

She says she loves me just for me, yeah
You know she loves me so tenderly
Said I got a woman way cross town
She's good to me, oh yeah
Ow!

She's there to love me
All day and night
Never grumbles or fusses
Just treats me right
Never runnin' in the streets
Leave me alone
She knows a woman's place
Is right back there with her hanging around the home

Got a woman way cross town
She's good to me, oh yeah
Well, I got a woman way cross town
She's good to me, oh yeah

Well, she's my baby, don't you understand
That I, I, I, I, I'm her loving man
Said I got a woman way cross town
She's good to me, oh ho yeah

Well, that much is alright
Well, that much is alright

I got a woman
Way cross town
She's good to me
Oh ho ho yeah

Too Much Monkey Business
(Chuck Berry)

Running to and fro, hard
Working at the mail
Never fail
Get the mail
Yeah, some rotten deal
Ow!

Too much monkey business
Too much monkey business
Too much monkey business for me to invite them again

Say me
Talking to me
Tryin' to run me up a creek
She used to buy one
Try to pay me again next week
Ow!

Too much monkey business
Too much monkey business
Too much monkey business for me to invite them again

Long-haired, good-looking
Trying to get me hooked
Or me to marry
Settle down
Get the horn by the bull
Ow!

Too much monkey business
Too much monkey business
Too much monkey business for me to invite them again

Mediocre money
Being fighting in the hall
Army bunk, army go
Army chow, army cook
Ow!

Too much monkey business
Too much monkey business
Too much monkey business for me to invite them again

Same thing every day
Getting up, going to school
No need to make complaining
My objection's overruled
Ow!

Too much monkey business
Too much monkey business
Too much monkey business for me to invite them again

Working in the filling station
Too many tires
Wipe the windows
Check the tire
Check the oil and all the gas
Ow!

Too much monkey business
Too much monkey business
Don't want your moderation, get away, leave me

Keep Your Hands Off My Baby
(Jerry Goffin and Carol King)

We've been friends for oh so long
I let you share what's mine
When you mess with the girl I love
It's time to draw the line

Keep your hands (Keep your hands) off my baby
Ain't I gonna tell you but one more time
Who, keep your hands (Keep your hands) off my baby
Boy, you get it through your head
That girl is mine

I don't mind if you lend my clothes
But you will be in touch
There is somethin' that you get straight
There's one thing you don't touch

Keep your hands (Keep your hands) off my baby
Ain't I gonna tell you but a one more time
Who, keep your hands (Keep your hands) off my baby
Can you get it through your head?
That girl is mine
Ow baby!

Keep your hands (Keep your hands) off my baby
Ain't I gonna tell you but a one more time
Who, keep your hands (Keep your hands) off my baby
Can you get it through your head?
That girl is mine

(Keep your hands) Who, keep your hands off my baby
She's mine (Keep your hands off my baby)
You better watch yourself now
Boy, you get it through your head
That girl is mine

I'll Be On My Way
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

The sun is fading away
That's the end of the day
As the June light turns to moonlight
I'll be on my way

Just one kiss and I'll go
Don't hide the tears that don't show
As the June light turns to moonlight
I'll be on my way

To where the winds don't blow
And golden rivers flow
This way will I go

They were right I was wrong
True love didn't last long
As the June light turns to moonlight
I'll be on my way hey

To where the winds don't blow
And golden rivers flow
This way will I go

They were right I was wrong
True love didn't last long
As the June light turns to moonlight
I'll be on my way hey
I'll be on my way oh
I'll be on my way oh
I'll be on my way (fade out)

Young Blood
(Jerry Leiber and Hike Stoller)

I saw her standing on the corner (Yip yip boom)
A yellow ribbon in her hair (Yip yip boom)
I couldn't stop myself from calling
Well look a-there, look a-there
Wow look a-there, well look a-there
Young blood, young blood, young blood
I can't get you out of my mind

I took one look and I was fractured (Yip yip boom)
I tried to walk but I was lame (Yip yip boom)
I tried to talk but I just stuttered
Well what's your name, what's your name
Well what's your name, well what's your name
Young blood, ah young blood, young blood
I can't get you out of my mind

A crazy stop, she was the top
I tried to follow her all the way home
Things went bad, I met her dad
He said, "You'd better leave my daughter alone"
Ow!

Well I tried to speak but I just stuttered (Yip yip boom)
I saw the rising of the sun (Yip yip boom)
And all along my heart was falling
While you're the one, you're the one
While you're the one, ah you're the one
Young blood, oh young blood, yeah young blood
I can't get you out of my mind
Yeah young blood, oh young blood, yeah young blood
I can't get you out of my mind

A Shot of Rhythm And Blues
(Terry Thompson)

Well, if your hands start a-clapping
And your fingers start a-popping
And your feet start a-moving around

And if you start to swing and sway
When the band starts to play
A real cool way out sound

And if you get to can't help it
And you can't sit down
You feel like you gotta move a round

You get a shot of rhythm and blues
With just a little rock and roll on the side
Just for good measure

Get a pair of dancing shoes
Well, with your lover by your side
Don't you know you're gonna have a lot of pleasure?

Don't you worry about a thing if you start to dance and sing
And chills coming up on you
And if the rhythm finally gets you and the beat gets you too
Well, here's something for you to do

Get a shot of rhythm and blues
With just a little rock and roll on the side
Just for good measure

Get a pair of dancing shoes
Well, with your lover by your side
Don't you know you're gonna have a lot of pleasure?

Don't you worry about a thing if you start to dance and sing
And chills coming up on you
And if the rhythm finally gets you and the beat gets you too
Well, here's something for you to do

Get a shot of rhythm and blues
Get a pair of dancing shoes
Get a shot of rhythm and blues
Well, with your lover by your side
Don't you know you're gonna have a lot of pleasure?

Don't you worry about a thing if you start to dance and sing
And chills coming up on you
And if the rhythm finally gets you and the beat gets you too
Well, here's something for you to do
Well, here's something for you to do
Well, here's something for you to do

Sure to Fall (In Love With You)
(Carl Perkins, Bill Cantrell and Quinton Claunch)

I'm sure to fall, fall in love
I'm sure to fall in love with you
You are so sweet and so near
I'm sure to fall in love with you

So hold me tight
Let tonight be the night
Darling don't ever let me go

Loving you is the natural thing to do
I want you for the rest of my life

So hold me tight
Let tonight be the night
Darling don't ever let me go

Loving you is the natural thing to do
I want you for the rest of my life

Some Other Guy
(Jerry Leiber, Mike Stoller and Richie Barrett)

Some other guy now, has taken my love away from me, oh now
Some other guy now, has taken away my sweet desire, oh now
Some other guy now, I just don't wanna hold my hand, oh now
I'm the lonely one, as lonely as I can feel all right

Some other guy now, is sippin' up the honey like a yellow dog, oh now
Some other guy now, has taken my love just like I'm gone, oh now
Some other guy now, has taken my love away from me, oh now
I'm the lonely one, as lonely as I can feel all right
Oh oh hoho
Oh yeah! Ow! Ow!

Some other guy, is makin' me very very mad, oh now
Some other guy now, is makin' my past seem oh so bad, oh now
Some other guy now, she was the first girl I ever had, oh now
I'm the lonely one, as lonely as I can feel all right
Oh oh hoho
I'm a-talkin' to you, right now
Ow!

Hey! Yeah!

Thank You Girl
(John Lennon and Paul McCartney)

JOHN 1980: ''Thank You Girl' was one of our efforts at writing a single that didn't work.
So it became a B-side or an album track.'

PAUL 1988: 'We knew that if we wrote a song called, 'Thank You Girl' that alot of the girls who wrote us fan letters would take it as a genuine thank you.
So alot of our songs were directly addressed to the fans.'

Oh, oh, you've been good to me
You made me glad
When I was blue
And eternally I'll always be
In love with you
And all I gotta do
Is thank you girl, thank you girl

I could tell the world
A thing or two about our love
I know little girl
Only a fool would doubt our love
And all I gotta do
Is thank you girl, thank you girl

Thank you girl for loving me
The way that you do (Way that you do)
That's the kind of love
That is too good to be true
And all I gotta do
Is thank you girl, thank you girl

Oh, oh, you've been good to me
You made me glad
When I was blue
And eternally I'll always be
In love with you
And all I gotta do
Is thank you girl, thank you girl

Oh, oh, oh
Oh, oh, oh
Oh, oh

Sha La La La La!

Baby It's You
(Burt Bacharach, Luther Dixon and Mack David)

Sha la la la la la la la
Sha la la la la la la la
Sha la la la la la la la
Sha la la la la

It's not the way you smile that touched my heart. (sha la la la la)
It's not the way you kiss that tears me apart.

Uh, oh, many, many, many nights go by,
I sit alone at home and I cry over you.
What can I do.
Can't help myself, 'cause baby, it's you.
Baby, it's you.

You should hear what they say about you, "cheat," "cheat."
They say, they say you never never never ever been true. (cheat cheat)

Uh oh,
It doesn't matter what they say,
I know I'm gonna love you any old way.
What can I do, and it's true.
Don't want nobody, nobody, 'cause baby, it's you. (sha la la la la la la)
Baby, it's you. (sha la la la la la la)

Uh oh,
It doesn't matter what they say,
I know I'm gonna love you any old way.
What can I do, when it's true.
Don't want nobody, nobody, 'cause baby, it's you. (sha la la la la la la)
Baby, it's you. (sha la la la la la la)
Don't leave me all alone...

That's All Right (Mama)
(Buddy Holly)

Well, that's alright, Mama.
That's alright with you.
Yeah, that's alright now, Mama.
Just anyway you do.
That's alright, that's alright,
that's alright my Mama, anyway you do.

Well Mama, she done told me.
Poppa done told me too.
'Said, "Son, that gal you're foolin' with -
she ain't no gal for you".
That's alright, that's alright,
that's alright my Mama, anyway you do. Woh.

Well, I'm leavin' town, baby.
I'm leavin' town for sure.
Then you won't be bothered with me

hangin' 'round your door.
That's alright, that's alright,
yeah that's alright my Mama, anyway you do.

Well, that's alright, Mama.
Yeah, that's alright with you.
That's alright now, Mama.
Just anyway you do.
That's alright, that's alright,
that's alright my Mama, anyway you do. Ooh, ah-hoo.

Ya da di dididi,
ya da di dididi,
ya da di dididi, I need your lovin'.
That's alright, that's alright my Mama, anyway you do.
Yeah, that's alright my Mama, anyway you do.

Carol
(Chuck Berry)

Oh Carol, don't let him
Steal your heart away
Well I've got to learn to dance
If it takes me all night and day

Well come into my machine
So we can move on out
I know a jumping little joint
Where we can jump and shout
It's not too far back on the highway
Not too long a ride
Well you take your car along
And you park it outside
A little cutie takes your hat
And you can thank her, ma'am
Well every time you're gonna drive
You find the joint is jammed

Oh Carol, don't let him
Steal your heart away
Well I've got to learn to dance
If it takes me all night and day
Auw
Auw

Well if you want to hear some music
Like the boys all play
Hold tight, tap your foot
Don't let it carry you away
Don't let the heat overcome you
Cos they play so loud
While the music will treat you
When they get a crowd
Well you can dance
I know you will, you thought
I got my eyes on you baby
Cos you dance so good

Don't let him
Steal your heart away
I've got to learn to dance
If it takes me all night and day
Well I've got to learn to dance
If it takes you all night and day

What Is It, George?

Soldier of Love
(Buzz Cason and Tony Moon)

Lay down your arms (Soldier of love)
And surrender to me (Sha la, la)
Lay down your arms (Soldier of love)
And love me peacefully (Sha la, la) yeah (Sha la la)
Use your arms for loving me
Baby, that's the way it's gotta be (Ooh)

There ain't no reason for you to declare
War on the one that loves you so
So forget the other boys because my love is real
Come off your battlefield

Lay down your arms (Soldier of love)
And love me peacefully (Sha la, la)
Lay down your arms (Soldier of love)
And love me tenderly (Sha la, la) yeah (Sha la la)
Use your arms to hold me tight
Baby, I don't wanna fight no more (Ooh)

The weapons you're using are hurtin' me bad
But someday you're gonna see
That my love for you baby, is the truest you've ever had
A Soldier of Love, that's hard to be

Lay down your arms (Soldier of love)
And love me peacefully (Sha la, la)
Lay down your arms (Soldier of love)
And surrender to me (Sha la, la) yeah (Sha la la)
Use your arms to squeeze and please cos I'm the one that loves you so
(Yeah, soldier of love) Baby, lay down your arms
(Yeah, soldier of love) Baby, lay down your arms
(Yeah, yeah) (fade out)

A Little Rhyme

Clarabella
(Frank Pingatore)

Well, I got a baby crazy for me
Yeah, I got a baby won't let me be
Who, baby baby, Clarabella
Baby baby, Clarabella
Baby baby, wo wo, yeah uh

Well, she needs no coaching on making love
All she needs is the stars up above
Who, baby baby, Clarabella
Baby baby, Clarabella
Baby baby, wo wo, yeah uh
Ahh! Woo hoo

Well now, Clarabella
You're my honey, Clarabella
Ooh yeah now, Clarabella
I said you're my baby
Clarabella
Yeah, Clarabella, baby
Wo wo, yeah yeh

Well, she's got no time for a dungeries
Already knows her ABC's
Who, baby baby, Clarabella
Baby baby, Clarabella
Baby baby, wo wo, yeah yeh
Ahh ow! Woo

Well now, Clarabella
Yeah, you're my honey, Clarabella
Woo ooh, you're my baby, Clarabella
You're my honey, Clarabella
Yeah, Clarabella, baby
Wo wo, yeah heh yeah, oh yeah

I'm Gonna Sit Right Down And Cry (Over You)
(Joe Thomas and Howard Biggs)

Yeah
I'm gonna sit right down and cry over you
I'm gonna sit right down and cry over you
And if you ever say goodbye
And if you ever even try
I'm gonna sit right down and cry over you

I'm gonna love you more and more every day
I'm gonna love you more and more every day
And if you ever say goodbye
And if you ever even try
I'm gonna sit right down and cry over you

Gonna tell your mama
Tell your papa, too
So they'll know exactly
Just what I'm gonna do

If you ever say goodbye
If you ever even try
I'm gonna sit right down and cry over you

Oh, yeah

Gonna tell your mama
Tell your papa, too
So they'll know exactly
Just what I'm gonna do

If you ever say goodbye
And if you ever even try
I'm gonna sit right down and cry over you
I'm gonna sit right down and cry over you
I'm gonna sit right down and cry over you

Crying, Waiting, Hoping
(Buddy Holly)

Crying, waiting, hoping you'll come back
I just can't seem to get you off my mind
Crying, waiting, hoping you'll come back
You're the one I love, I think about you all the time

Crying, do do do do, tear keep a falling all night long
Waiting, do do do do, it seems so useless I know it's wrong
Keep a crying, waiting, hoping you'll come back
Maybe someday soon it'll change and you'll be mine

Crying, do do do do, tears keep a falling all night long
Waiting, do do do do, it seems so useless I know it's wrong
Keep a crying, waiting, hoping you'll come back
Maybe someday soon it'll change and you'll be mine
Crying, waiting, hoping

Dear Wack!

You Really Got a Hold On Me
(Smokey Robinson)

I don't like you
But I love you
Seems that I'm always
Thinking of you
Oh, oh, oh
You treat me badly
I love you madly
You've really got a hold on me
(You really got a hold on me)
You really got a hold on me
(You really got a hold on me)

Baby

I don't want you
But I need you
Don't want to kiss you
But I need to
Oh, oh, oh
You do me wrong now
My love is strong now
You've really got a hold on me
(You really got a hold on me)
You really got a hold on me
(You really got a hold on me)

Baby

I love you and all I want you to do
Is just hold me, hold me, hold me, hold me
Tighter
Tighter

I want to leave you
Don't want to stay here
Don't want to spend
Another day here
Oh, oh, oh, I want to split now
I just can't quit now
You've really got a hold on me
(You really got a hold on me)
You really got a hold on me
(You really got a hold on me)

Baby

I love you and all I want you to do
Is just hold me, hold me, hold me, hold me

You really got a hold on me
(You really got a hold on me)
You really got a hold on me
(You really got a hold on me)

To Know Her Is to Love Her
(Phil Spector)

To know, know, know her
Is to love, love, love her
Just to see her smile
Makes my life worthwhile
Yes, just to know, know, know her
Is to love, love, love her
And I do and I do
And I do

I'll be good to her
I'll make love to her
Everyone says there'll come a day
When I walk alongside of her
Yes, just to know, know, know her
Is to love, love, love her
And I do and I and I do And I do
And I and I do and I and I do and I

Why can't she see?
How blind can she be?
Some day, she'll see
That she was meant just for me, oh, oh

To know, know, know her
Is to love, love, love her
Just to see her smile
Makes my life worthwhile
Yes, just to know, know, know her
Is to love, love, love her
And I do and I and I do And I do
And I and I do and I and I do and I

Why can't she see?
How blind can she be?
Some day, she'll see
That she was meant just for me, oh, oh

A Taste of Honey
(Bobby Scott and Ric Marlow)

A taste of honey
Tasting much sweeter than wine

I dream of your first kiss
And then I feel upon my lips again

A taste of honey
Tasting much sweeter than wine

I will return, yes I will return
I'll come back for the honey and you

Yours was the kiss that awoke my heart
There lingers still, though we're far apart

That taste of honey
Tasting much sweeter than wine

Oh I will return, yes I will return
I'll come back (He'll come back)
for the honey (For the honey)
and you

Long Tall Sally
(Richard Penniman, Enotris Johnson and Robert Blackwell)

I'm gonna tell Aunt Mary 'bout Uncle John
He said he had the misery but he got a lot of fun
Baby, yeah now baby
Woo baby, some fun tonight

I saw Uncle John with Long Tall Sally
He saw Aunt Mary coming and he ducked back in the alley
Oh, baby, yeah now baby
Woo baby, some fun tonight

Well Long Tall Sally's built pretty sweet
She got everything that Uncle John need
Baby, yeah now baby
Woo baby, some fun tonight

Well, we're gonna have some fun tonight
Have some fun tonight
Everything's all right
Have some fun tonight
Have some fun
Yeah, yeah, yeah,
We're gonna have some fun tonight
Have some fun tonight
Everything's all right
Have some fun tonight
Yeah, we'll have some fun
Some fun tonight

I Saw Her Standing There
(John Lennon and Paul McCartney)

JOHN 1980: 'That's Paul doing his usual job of producing what George Martin used to call a 'potboiler.' I helped with a couple of the lyrics.'

PAUL 1988: 'I wrote it with John.
We sagged off school and wrote it on guitars.
I remember I had the lyrics, 'Just seventeen/Never been a beauty queen,' which John… it was one of the first times he ever went, 'What? Must change that!' And it became, 'you know what I mean.''

PAUL circa-1994: 'Sometimes we would just start a song from scratch, but one of us would nearly always have a germ of an idea, a title, or a rough little thing they were thinking about and we'd do it.
'I Saw Her Standing There' was my original.
I'd started it and I had the first verse, which therefore gave me the tune, the tempo, and the key.
It gave you the subject matter, alot of information, and then you had to fill in.
So it was co-written… and we finished it that day.

Well, she was just seventeen
You know what I mean
And the way she looked was way beyond compare
So how could I dance with another (Ooh)
When I saw her standing there

Well she looked at me, and I, I could see
That before too long I'd fall in love with her
She wouldn't dance with another (Whooh)
When I saw her standing there

Well, my heart went "boom"
When I crossed that room
And I held her hand in mine

Whoah, we danced through the night
And we held each other tight
And before too long I fell in love with her
Now I'll never dance with another (Whooh)
When I saw her standing there

Well, my heart went "boom"
When I crossed that room
And I held her hand in mine

Whoah, we danced through the night
And we held each other tight
And before too long I fell in love with her
Now I'll never dance with another (Whooh)
Since I saw her standing there
Oh since I saw her standing there
Oh since I saw her standing there

The Honeymoon Song
(Mikis Theodorakis and William Sansom)

I never knew that a day like today lay before us
I've got the sun in my heart and my heart's in the sun
The skys are as bright as your eyes the horizon is open
Love is the ceiling feeling are reeling free as the air

Forever on and forever
Forever on side by side
Whoever knew that we too could be free as we fancied
Fancy is free but are we who are bound to each other by love
To each other by love

Whoever knew that we too could be free as we fancied
Fancy is free but we are who are bound to each other by love
To each other by love
To each other by love
To each other by love

Johnny B Goode
(Chuck Berry)

Deep down Louisiana close to New Orleans
Way back up in the woods among the evergreens
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode
Who never ever learned to read or write so well
But he could play the guitar just like a ringing a bell

Go go
Go Johnny go
Go
Go Johnny go
Go
Go Johnny go
Go
Go Johnny go
Go
Johnny B. Goode

He used to carry his guitar in a gunny sack
Go sit beneath the tree by the railroad track
Oh, the engineers would see him sitting in the shade
Strumming with the rhythm that the drivers made
People passing by they would stop and say
Oh my that little country boy could play

Go go
Go Johnny go
Go
Go Johnny go
Go
Go Johnny go
Go
Go Johnny go
Go
Johnny B. Goode

His mother told him "Someday you will be a man,
And you will be the leader of a big old band.
Many people coming from miles around
To hear you play your music when the sun go down
Maybe someday your name will be in lights
Saying Johnny B. Goode tonight."

Go go
Go Johnny go
Go go go Johnny go
Go go go Johnny go
Go go go Johnny go
Go
Johnny B. Goode

Memphis, Tennessee
(Chuck Berry)

Long distance information
Give me Memphis, Tennessee
Try to find the party
Trying to get in touch with me
She would not leave her number
But I know who placed the call
Cos my uncle took the message
And he wrote it on the wall

Help me, information
Get in touch with my Marie
She's the only one who'd phone me here
From Memphis, Tennessee
Her home is on the south side
Just beyond the ridge
Just a half a mile
From the Mississippi Bridge

Help me, information
More than that I cannot add
Only that I miss her
And all the fun we had
We were pulled apart
Because her mom would not agree
Help me get in touch with her
In Memphis, Tennessee

The last time I saw Marie
She was waving me goodbye
With hurry homedrops on her cheek
That trickled from her eyes
Marie is only six years old
Information please
Help me get in touch with her
In Memphis, Tennessee

Lucille
(Richard Penniman and Al Collins)

Ah Lucille
Baby do your sister's will
Ah Lucille
Baby do your sister's will
Well you went up and married
But I love you still

Ah Lucille
Baby satisfy my soul
Ah Lucille
Baby satisfy my soul
Well you know I love baby
I'll never let you go

Babe I woke up this morning
Lucille was not inside
I asked her friends about her
But all their lips were tight

Lucille
Please come back where you belong
Well I'm talking to you baby
I'll never put you on
Aaaah! Wah!

Well Lucille
Baby do your sister's will
Oo Lucille
Yeah baby do your sister's will
Well you went up and married
But I love you still

Can't Buy Me Love
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

JOHN 1972: 'John and Paul, but mainly Paul.'

JOHN 1980: 'That's Paul completely.
Maybe I had something to do with the chorus, but I don't know.
I always considered it his song.'

PAUL 1984: 'We recorded it in France, as I recall.
Went over to the Odeon in Paris.
Recorded it over there.
Felt proud because Ella Fitzgerald recorded it, too, though we didn't realize what it meant that she was doing it.'

PAUL circa-1994: ''Can't Buy Me Love' is my attempt to write a bluesy mode.
The idea behind it was that all these material possessions are all very well but they won't buy me what I really want.'

Can't buy me love, love
Can't buy me love

I'll buy you a diamond ring my friend
If it makes you feel alright
I'll get you anything my friend
If it makes you feel alright
'Cause I don't care too much for money
Money can't buy me love

I'll give you all I've got to give
If you say you love me too
I may not have a lot to give
But what I've got I'll give to you
I don't care too much for money
Money can't buy me love

Can't buy me love, everybody tells me so
Can't buy me love, no, no, no, no

Say you don't need no diamond rings
And I'll be satisfied
Tell me that you want the kind of things
That money just can't buy
I don't care too much for money
Money can't buy me love

Can't buy me love, everybody tells me so
Can't buy me love, no, no, no, no

Say you don't need no diamond rings
And I'll be satisfied
Tell me that you want the kind of things
That money just can't buy
I don't care too much for money
Money can't buy me love

Can't buy me love, love
Can't buy me love, oh

From Fluff to You

Till There Was You
(Meredith Willson)

There were bells on a hill
But I never heard them ringing
No, I never heard them at all
Till there was you

There were birds in the sky
But I never saw them winging
No, I never saw them at all
Till there was you

Then there was music and wonderful roses
They tell me in sweet fragrant meadows
Of dawn and dew

There was love all around
But I never heard it singing
No, I never heard it at all
Till there was you

Then there was music and wonderful roses
They tell me in sweet fragrant meadows
Of dawn and dew

There was love all around
But I never heard it singing
No, I never heard it at all
Till there was you
Till there was you

Crinsk Dee Night

A Hard Day's Night
(John Lennon)
(Officially – John Lennon and Paul McCartney)

RINGO 1964: 'We went to do a job, and we'd worked all day and we happened to work all night.
I came up still thinking it was day I suppose, and I said, 'It's been a hard day…' and I looked around and saw it was dark so I said, '…night!' So we came to 'A Hard Day's Night.''

JOHN 1980: 'I was going home in the car and Dick Lester suggested the title, 'Hard Day's Night' from something Ringo had said.
I had used it in 'In His Own Write,' but it was an off-the-cuff remark by Ringo.
You know, one of those malapropisms.
A Ringo-ism, where he said it not to be funny… just said it.
So Dick Lester said, 'We are going to use that title.' And the next morning I brought in the song… 'cuz there was a little competition between Paul and I as to who got the A-side – who got the hits.
If you notice, in the early days the majority of singles, in the movies and everything, were mine… in the early period I'm dominating the group.
The only reason he sang on 'A Hard Day's Night' was because I couldn't reach the notes.
(sings) 'When I'm home/ everything seems to be right/ when I'm home…' – which is what we'd do sometimes.
One of us couldn't reach a note but he wanted a different sound, so he'd get the other to do the harmony.'

PAUL circa-1994: 'The title was Ringo's.
We'd almost finished making the film, and this fun bit arrived that we'd not known about before, which was naming the film.
So we were sitting around at Twickenham studios having a little brain-storming session… and we said, 'Well, there was something Ringo said the other day.' Ringo would do these little malapropisms, he would say things slightly wrong, like people do, but his were always wonderful, very lyrical… they were sort of magic even though he was just getting it wrong.
And he said after a concert, 'Phew, it's been a hard day's night.''

It's been a hard day's night, and I've been working like a dog
It's been a hard day's night, I should be sleeping like a log
But when I get home to you I find the things that you do
Will make me feel alright

You know I work all day to get you money to buy you things
And it's worth it just to hear you say you're going to give me everything
So why on earth should I moan, cos when I get you alone
You know I feel OK

When I'm home everything seems to be right
When I'm home feeling you holding me tight, tight, yeah

So why on earth should I moan, cos when I get you alone
You know I feel OK

When I'm home everything seems to be right
When I'm home feeling you holding me tight, tight, yeah

Ringo? Yep!

I Wanna Be Your Man
(John Lennon and Paul McCartney)

JOHN 1972: 'Both of us wrote it, but mainly Paul.
I helped him finish it.'

JOHN 1980: ''I Wanna Be Your Man' was a kind of lick Paul had – 'I wanna be your lover, baby.
I wanna be your man.' I think we finished it off for the Stones.
We were taken down to meet them at the club where they were playing in Richmond by Brian and some other guy.
They wanted a song and we went to see what kind of stuff they did.
Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something.
We sort of played it roughly to them and they said, 'Yeah, OK, that's our style.' But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking.
We came back, and that's how Mick and Keith got inspired to write… because, 'Jesus, look at that.
They just went in the corner and wrote it and came back!' You know, right in front of their eyes we did it.
So we gave it to them.
It was a throw-away.
The only two versions of the song were Ringo and the Rolling Stones.
It shows how much importance we put on them.
We weren't going to give them anything great, right? I believe it was the Stones' first record.'

PAUL 1984: 'I wrote it for Ringo to do on one of the early albums.
But we ended up giving it to the Stones.
We met Mick and Keith in a taxi one day in Charing Cross Road and Mick said, 'Have you got any songs?' So we said, 'Well, we just happen to have one with us!' I think George had been instrumental in getting them their first record contract.
We suggested them to Decca, 'cuz Decca had blown it by refusing us, so they had tried to save face by asking George, 'Know any other groups?' He said, 'Well, there is this group called the Stones.' So that's how they got their first contract.
Anyway, John and I gave them maybe not their first record, but I think the first they got on the charts with.
They don't tell anybody about it these days; they prefer to be more ethnic.
But you and I know the real truth.'

I wanna be your lover baby
I wanna be your man
I wanna be your lover baby
I wanna be your man
Love you like no other baby
Like no other can
Love you like no other baby
Like no other can

I wanna be your man, I wanna be your man
I wanna be your man, I wanna be your man

Tell me that you love me baby
Let me understand
Tell me that you love me baby
I wanna be your man
I wanna be your lover baby
I wanna be your man
I wanna be your lover baby
I wanna be your man

I wanna be your man, I wanna be your man
I wanna be your man, I wanna be your man

I wanna be your lover baby
I wanna be your man
I wanna be your lover baby
I wanna be your man
Love you like no other baby
Like no other can
Love you like no other baby
Like no other can

I wanna be your man, I wanna be your man
I wanna be your man, I wanna be your man
I wanna be your man, I wanna be your man

Just a Rumour

Roll Over Beethoven
(Chuck Berry)

Well gonna write a little letter
Gonna mail it to my local D.J.
It's a rocking little record
I want my jockey to play
Roll over Beethoven
Gotta hear it again today

You know my temperature's rising
And the jukebox blows a fuse
My heart beating rhythm
While my soul keeps singing the blues
Roll over Beethoven
And tell Tchaikovsky the news

I got a rocking pneumonia
I need a shot of rhythm and blues
I think I caught it off the writer
Sittin' down by the rhythm reviews
Roll over Beethoven
We're rockin' in two by two

Well if you feel it and like it
Well get your lover and reel and rock it
Roll it over and move on up
Just triffle further and reel and rock it
Roll it over
Roll over Beethoven
A rocking in two by two - Ooo

Well early in the morning
I'm a giving you the warning
Don't you step on my blue suede shoes
Hey diddle diddle
I'll play my fiddle
Ain't got nothing to lose
Roll over Beethoven
And tell Tchaikovsky the news

You know she wiggles like a glow worm
Dance like a spinning top
She's got a crazy partner
Oughta see them reel an rock
Long as she's got a dime
The music will never stop
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Dig to these rhythm and blues

All My Loving
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

JOHN 1972: 'This was one of his first biggies.'

JOHN 1980: ''All My Loving' is Paul, I regret to say.
Because it's a damn fine piece of work.
But I play a pretty mean guitar in back.'

PAUL 1984: 'Yeah, I wrote that one.
It was the first song I ever wrote where I had the words before the music.
I wrote the words on a bus on tour, then we got the tune when I arrived there.
The first time I've ever worked upside down.'

PAUL 1988: 'I think that was the first song where I wrote the words without the tune.
I wrote the words on the tour bus during our tour with Roy Orbison.
We did alot of writing then.'

PAUL circa-1994: 'It was a good show song.
It worked well live.'

Close your eyes and I'll kiss you
Tomorrow I'll miss you
Remember I'll always be true
And then while I'm away
I'll write home every day
And I'll send all my loving to you

I'll pretend that I'm kissing
The lips I am missing
And hope that my dreams will come true
And then while I'm away
I'll write home every day
And I'll send all my loving to you

All my loving I will send to you
All my loving, darling I'll be true

Close your eyes and I'll kiss you
Tomorrow I'll miss you
Remember I'll always be true
And then while I'm away
I'll write home every day
And I'll send all my loving to you

All my loving I will send to you
All my loving, darling I'll be true
All my loving, all my loving ooh
All my loving I will send to you

Things We Said Today
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

JOHN 1980: 'Paul's.
Good song.'

PAUL circa-1994: 'I wrote 'Things We Said Today' on acoustic (guitar).
It was a slightly nostalgic thing already, a future nostalgia: we'll remember the things we said today, sometime in the future, so the song projects itself into the future and then is nostalgic about the moment we're living now, which is quite a good trick.'

You say you will love me
If I have to go
You'll be thinking of me
Somehow I will know
Someday when I'm lonely
Wishing you weren't so far away
Then I will remember
Things we said today

You say you'll be mine, girl
Till the end of time
These days such a kind girl
Seems so hard to find
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today

Me, I'm just the lucky kind
Love to hear you say that love is luck
And though we may be blind
Love is here to stay and that's enough

To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today

Me, I'm just the lucky kind
Love to hear you say that love is luck
Though we may be blind
Love is here to stay and that's enough

To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today

She's a Woman
(Paul McCartney)
(Officially – John Lennon and Paul McCartney)

JOHN 1980: 'That's Paul with some contribution from me on lines, probably.
We put in the words 'turns me on.'
We were so excited to say 'turn me on' – you know, about marijuana and all that… using it as an expression.'

PAUL circa-1994: 'This was my attempt at a bluesy thing… instead of doing a Little Richard song, whom I admire greatly, I would use the (vocal) style I would have used for that but put it in one of my own songs.'

My love don't give me presents
I know that she's no peasant
Only ever has to give me
Love forever and forever
My love don't give me presents
Turn me on when I get lonely
People tell me that she's only
Fooling, I know she isn't

She don't give the boys the eye
She hates to see me cry
She is happy just to hear me say
That I will never leave her
She don't give the boys the eye
She will never make me jealous
Gives me all her time as well as
Loving, don't ask me why

She's a woman who understands
She's a woman who loves her man

My love don't give me presents
I know that she's no peasant
Only ever has to give me love
Forever and forever
My love don't give me presents
Turn me on when I get lonely
People tell me that she's only
Fooling, I know she isn't

She's a woman who understands
She's a woman who loves her man

She's a woman, she's a woman
She's a woman, she's a woman

Sweet Little Sixteen
(Chuck Berry)

They're really rocking in Boston
Philadelphia, PA
Deep in the heart of Texas
On down in Frisco Bay
All over Saint Louis
On down to New Orleans
All the cats want to dance with
Sweet little sixteen

Sweet little sixteen
She just got to have
About half a million
Framed autographs
Her wallet is filled with pictures
She get 'em one by one
Becomes so excited
Watch and look at her run boy who
Mommy mommy
Please may I go
It's such a sight to see
Somebody steal the show
Oh daddy daddy
I beg of you
Well please say it to mommy
It's all right with you
Ow!

Sweet little sixteen
She's got the grown-up blues
Tight dresses and lipstick
She's blowing high healed shoes
Well by tomorrow morning
She'll have to change her train
Become sweet sixteen
A back in class again

Yea cos they're really rocking in Boston
Philadelphia, PA
Deep in the heart of Texas
On down in Frisco Bay
All over Saint Louis
On down to New Orleans
All the cats want to dance with
Sweet little sixteen

1822!

Lonesome Tears In My Eyes
(Johnny Burnette, Dorsey Burnette, Paul Burlison and Al Mortimer)

Oh baby baby baby
Blues and sorrow
And I love you tomorrow
Just suit you just fine
Oh baby baby baby
Blues and sorrow
And I love you tomorrow
Just suit you just fine

I can't forget that you told me
So many promising lies
How must I forget these
Lonesome tears in my eyes?

You've broken my heart
Gonna do it again
And I can't forget
The spell that I'm in
Can't forget that you told me
So many promising lies
I'm a-trying to forget these
Lonesome tears in my eyes

You've broken my heart
Gonna do it again
I can't forget
The spell that I'm in
I can't forget that you told me
So many promising lies
I'm a-trying to forget these
Lonesome tears in my eyes

Oh baby baby baby
Blues and sorrow
And I love you tomorrow
It'll suit you just fine
Oh baby baby baby
Blues and sorrow
I love you tomorrow
Just suit you just fine

I can't forget that you told me
So many promising lies
I'm a-trying to forget these
Lonesome tears in my eyes

Nothin' Shakin' (But the Leaves on the Trees)
(Eddie Fontaine, Cirino Colacrai, Diane Lampert and John Gluck Jr.)

I found it out
What love is all about
And every day
It sure lets out
I see my baby
I get weak in my knees
There's nothing shaking
But the leaves on the trees
My pappie told me
There'd be times like these
There's nothing shaking
But the leaves on the trees

We meet the gang
And go to rocking Joes
The cats are something
On the heels and toes
I grab my baby
Tried to give her a squeeze
There's nothing shaking
But the leaves on the trees
Well why must she be
Such a doggone tease?
There's nothing shaking
But the leaves on the trees

She's got a way
That makes me act like a fool
Spent my money
Then she plays me cool
I begged her for kisses
On my bended knees
Oh won't you give me
Some loving, baby
Please please please

She's got a way
That makes me act like a fool
Spent my money
Then she plays me cool
I'm begging for her kisses
On my bended knees
Oh won't you give me
Some of your loving, baby
Please please please

Though I keep trying hard
To make her mine
One day the wind will blow
And the sun will shine
Till that time
She puts my heart at ease
There's nothing shaking
But the leaves on the trees
She locked my heart
And threw away the keys
There's nothing shaking
But the leaves on the trees
There's nothing shaking
But the leaves on the trees
There's nothing shaking
But the leaves on the trees
There's nothing shaking
But the leaves on the trees

The Hippy Hippy Shake
(Chan Romero)

For goodness sake
I got the hippy hippy shake
I've got to shake
Who the hippy hippy shake

Who I can't keep still
With the hippy hippy shake
I get my fill
With the hippy hippy shake
Ooh my baby
Oh the hippy hippy shake

Well now you shake it to the left
Shake it to the right
Do the hippy shake shake
With all of you might

Then you shake
Who yes you shake
Ooh my baby
Ow the hippy hippy shake
Aah! Ow!

Ow yeah! Ow!

Well now you shake it to the left
Shake it to the right
Do the hippy shake shake
With all of you might

Then you shake
Who yes you shake
Ooh my baby
Who the hippy hippy shake
Ow the hippy hippy shake
Yea the hippy hippy shake oh yeah

Glad All Over
(Aaron Schroeder, Sid Tepper and Roy Bennett)

Ain't no doubt about it
This must be love
One little kiss from you
And I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over

Yeah the goosepimples baby
Cos I feel so good
When you call me like you do
And I feel glad all over
Oo mercy, I'm rock gone puppy
And I'm happy
And I'm glad all over

Your touch sewed me
Like an electric wire
Never thought of make love
It don't take much looking
To see what I've got
But it shows, yes it shows
Come on honey Bonnie
Give me one more time
Everytime you do
Well I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over
Yeah!

Tried to tell you
How I'm cooking inside
When we're cheek to cheek
My temperature is low
Fever is high
I can't speak
I'm too weak

Well come on honey Bonnie
Give me one more time
Everytime you do
Well I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over
Hot dang gilly
It's silly
But I'm glad all over
Well, hot dang gilly
It's silly
But I'm glad all over

I Just Don't Understand
(Marijohn Wilkin and Kent Westberry)

Well you call me your baby
When you hold in my hand
But the way that you hurt me
I just don't understand

Well you say that you need me
Like an ocean needs sand
But the way you deceive me
I just don't understand

Well you know that I love you
More than anyone can
But a one-sided love
I just don't understand

Well you call me your baby
When you hold in my hand
Oh how you can hurt me
I just don't understand

So How Come (No One Loves Me)
(Boudleaux Bryant)

They say that everyone wants someone
So how come no one wants me
And they say that eveyone needs someone
So how come no one needs me

Well if you wonder who the loneliest creatures in the world can be
Well they're the ugly duckling, the little black sheep, and me
Uh huh
They say that everyone loves someone
So how come no one loves me

I Feel Fine
(John Lennon)
(Officially – John Lennon and Paul McCartney)

JOHN 1964: 'George and I play the same bit on the guitar together – that's the bit that'll set your feet a-tapping, as the reviews say.
The middle-eight is the most tuneful part, to me, because it's a typical Beatles bit.'

JOHN 1972: 'This was the first time feedback was used on a record.
It's right at the beginning.'

JOHN 1974: 'I wrote this at a recording session.
It was tied together around the guitar riff that opens it.'

JOHN 1980: 'That's me completely.
Including the guitar lick with the first feedback anywhere.
I defy anybody to find a record… unless it is some old blues record from 1922… that uses feedback that way.
So I claim it for the Beatles.
Before Hendrix, before the Who, before anybody.
The first feedback on record.'

PAUL circa-1994: 'John had a semi-acoustic Gibson guitar.
It had a pick-up on it so it could be amplified… We were just about to walk away to listen to a take when John leaned his guitar against the amp.
I can still see him doing it… and it went, 'Nnnnnnwahhhhh!' And we went, 'What's that? Voodoo!' 'No, it's feedback.' Wow, it's a great sound!' George Martin was there so we said, 'Can we have that on the record?' 'Well, I suppose we could, we could edit it on the front.' It was a found object – an accident caused by leaning the guitar against the amp.
The song itself was more John's than mine.
We sat down and co-wrote it with John's original idea.
John sang it, I'm on harmonies.'

Baby's good to me, you know
She's happy as can be, you know
She said so
I'm in love with her and I feel fine

Baby says she's mine, you know
She tells me all the time, you know
She said so
I'm in love with her and I feel fine

I'm so glad that she's my little girl
She's so glad, she's telling all the world

That her baby buys her things, you know
He buys her diamond rings, you know
She said so
She's in love with me and I feel fine, mmm

Baby says she's mine, you know
She tells me all the time, you know
She said so
I'm in love with her and I feel fine

I'm so glad that she's my little girl
She's so glad, she's telling all the world

That her baby buys her things, you know
He buys her diamond rings, you know
She said so
She's in love with me and I feel fine
She's in love with me and I feel fine, mmm, mmm

I'm a Loser
(John Lennon)
(Officially – John Lennon and Paul McCartney)

JOHN 1980: 'That's me in my Dylan period.
Part of me suspects I'm a loser, and part of me thinks I'm God almighty.' (laughs)

PAUL circa-1994: 'We used to listen to alot of country and western songs and they were all about sadness and 'I lost my truck' so it was quite acceptable to sing 'I'm a loser.' You really didn't think about it at the time, it's only later you'd think, God! That was pretty brave of John.
'I'm a Loser' was very much John's song and there may have been a dabble or two from me.'

I'm a loser
I'm a loser
And I'm not what I appear to be

Of all the love I have won or have lost
There is one love I should never have crossed
She was a girl in a million, my friend
I should have known she would win in the end

I'm a loser
And I lost someone who's near to me
I'm a loser
And I'm not what I appear to be

Although I laugh and I act like a clown
Beneath this mask I am wearing a frown
My tears are falling like rain from the sky
Is it for her or myself that I cry

I'm a loser
And I lost someone who's near to me
I'm a loser
And I'm not what I appear to be

What have I done to deserve such a fate
I realize I have left it too late
And so it's true, pride comes before a fall
I'm telling you so that you won't lose all

I'm a loser
And I lost someone who's near to me
I'm a loser
And I'm not what I appear to be

Everybody's Trying to Be My Baby
(Carl Perkins)

Well they took some honey from a tree
Dressed it up and they called it me