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The Beatles Lyrics, album "The Beatles' Ballads"JOHN 1972: 'Me. But Paul helped me on the lyric.'GEORGE 1980: 'I had bought, earlier, a crummy sitar in London… and played the 'Norwegian Wood' bit.'JOHN 1980: ''Norwegian Wood' is my song completely. It was about an affair I was having. I was very careful and paranoid because I didn't want my wife, Cyn, to know that there really was something going on outside of the household. I'd always had some kind of affairs going on, so I was trying to be sophisticated in writing about an affair… but in such a smoke-screen way that you couldn't tell. But I can't remember any specific woman it had to do with.'PAUL 1985: 'It was me who decided in 'Norwegian Wood' that the house should burn down… not that it's any big deal.' I once had a girl Or should I say She once had meShe showed me her room Isn't it good Norwegian woodShe asked me to stay And she told me to sit anywhere So I looked around And I noticed there wasn't a chairI sat on a rug Biding my time Drinking her wineWe talked until two And then she said "It's time for bed"She told me she worked in the morning And started to laugh I told her I didn't And crawled off to sleep in the bathAnd when I awoke I was alone This bird had flownSo I lit a fire Isn't it good Norwegian wood JOHN 1980: 'Well, I can't say I wrote it 'for' George. My mother was always… she was a good comedienne and a singer. Not professional, but she used to get up in pubs and things like that. She had a good voice. She could do Kay Starr. She used to do this little tune when I was one or two years old… she was still living with me then. The tune was from a Disney movie: (sings) 'Do you want to know a secret? Promise not to tell? You are standing by a wishing well.' So, I had this sort of thing in my head, and I wrote it and just gave it to George to sing. I thought it would be a good for him, because it had only three notes and he wasn't the best singer in the world. He has improved a lot since then; but in those days, his ability was very poor.'PAUL 1984: 'A song we really wrote for George to sing. Before he wrote his own stuff, John and I wrote things for him and Ringo to do.'GEORGE 1994: ''Do You Want To Know A Secret' was my song on the album. I didn't like the vocal on it. I didn't know how to sing.' You'll never know how much I really love you You'll never know how much I really careListen Do you want to know a secret Do you promise not to tell, whoa oh, ohCloser Let me whisper in your ear Say the words you long to hear I'm in love with youListen Do you want to know a secret Do you promise not to tell, whoa oh, ohCloser Let me whisper in your ear Say the words you long to hear I'm in love with youI've known the secret for a week or two Nobody knows, just we twoListen Do you want to know a secret Do you promise not to tell, whoa oh, ohCloser Let me whisper in your ear Say the words you long to hear I'm in love with you JOHN 1972: 'Another of his I really liked.'JOHN 1980: 'Paul's. One of my favorites of his. A nice piece of work.'PAUL 1984: 'I wrote that on a skiing holiday in Switzerland. In a hired chalet amongst the snow.'PAUL circa-1994: 'I suspect it was about another argument. I don't have easy relationships with women, I never have. I talk too much truth.' Your day breaks, your mind aches You find that all the words of kindness linger on When she no longer needs youShe wakes up, she makes up She takes her time and doesn't feel she has to hurry She no longer needs youAnd in her eyes you see nothing No sign of love behind her tears Cried for no one A love that should have lasted yearsYou want her, you need her And yet you don't believe her when she said her love is dead You think she needs youAnd in her eyes you see nothing No sign of love behind her tears Cried for no one A love that should have lasted yearsYou stay home, she goes out She says that long ago she knew someone but now he's gone She doesn't need himYour day breaks, your mind aches There will be times when all the things she said will fill your head You won't forget herAnd in her eyes you see nothing No sign of love behind her tears Cried for no one A love that should have lasted years JOHN 1972: 'Both of us. I wrote the middle with him.'PAUL 1977: ''Michelle' was like a joke French tune for when you go to a party or something. That's all it was. And then after a while you say, 'Well, that's quite a good tune. Let's put some real words to it.''JOHN 1980: 'He and I were staying somewhere and he walked in and hummed the first few bars, with the words, and he says, 'Where do I go from here?' I had been listening to (blues singer) Nina Simone. I think it was 'I Put A Spell On You.' There was a line in it that went, 'I love you, I love you.' That's what made me think of the middle-eight for 'Michelle.' So, my contributions to Paul's songs was always to add a little bluesy edge to them. Otherwise, 'Michelle' is a straight ballad, right? He provided a lightness, an optimism, while I would always go for the sadness, the discords, the bluesy notes.'PAUL 1988: 'I'll never forget putting the bass line in 'Michelle' because it was a kind of Bizet thing. It really turned the song around. You could do that with bass. It was very exciting.' Michelle, ma belle These are words that go together well My MichelleMichelle, ma belle Sont des mots qui vont très bien ensemble Très bien ensembleI love you, I love you, I love you That's all I want to say Until I find a way I will say the only words I know that You'll understandMichelle, ma belle Sont des mots qui vont très bien ensemble Très bien ensembleI need to, I need to, I need to I need to make you see Oh, what you mean to me Until I do I'm hoping you will Know what I meanI love youI want you, I want you, I want you I think you know by now I'll get to you somehow Until I do I'm telling you so You'll understandMichelle, ma belle Sont des mots qui vont très bien ensemble Très bien ensembleAnd I will say the only words I know That you'll understand, my Michelle JOHN 1980: 'I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then 'Nowhere Man' came, words and music… the whole damn thing, as I lay down. So letting it go is what the whole game is. You put your finger on it, it slips away, right? You know, you turn the lights on and the cockroaches run away. You can never grasp them.'PAUL 1984: 'That was John after a night out, with dawn coming up. I think at that point in his life, he was a bit wondering where he was going.'PAUL 1988: 'I remember we wanted very treble-y guitars – which they are – they're among the most treble-y guitars I've ever heard on record. The engineer said, 'Alright, I'll put full treble on it,' and we said, 'That's not enough.' He said, 'But that's all I've got.' And we replied, 'Well, put that through another lot of faders and put full treble up on that. And if that's not enough we'll go through another lot of faders.' They said, 'We don't do that,' and we would say, 'Just try it… if it sounds crappy we'll lose it, but it might just sound good.' You'd then find, 'Oh it worked,' and they were secretly glad because they had been the engineer who put three times the allowed value of treble on a song. I think they were quietly proud of those things.' He's a real nowhere man Sitting in his nowhere land Making all his nowhere plans for nobodyDoesn't have a point of view Knows not where he's going to Isn't he a bit like you and me?Nowhere Man, please listen You don't know what you're missing Nowhere Man, the world is at your commandHe's as blind as he can be Just sees what he wants to see Nowhere Man can you see me at all?Nowhere Man, don't worry Take your time, don't hurry Leave it all till somebody else lends you a handDoesn't have a point of view Knows not where he's going to Isn't he a bit like you and me?Nowhere Man, please listen You don't know what you're missing Nowhere Man, the world is at your commandHe's a real Nowhere Man Sitting in his nowhere land Making all his nowhere plans for nobody Making all his nowhere plans for nobody Making all his nowhere plans for nobody Here I stand head in hand Turn my face to the wall If she's gone I can't go on Feeling two-foot smallEverywhere people stare Each and every day I can see them laugh at me And I hear them sayHey You've Got to Hide Your Love Away Hey You've Got to Hide Your Love AwayHow can I even try I can never win Hearing them, seeing them In the state I'm inHow could she say to me Love will find a way Gather round all you clowns Let me hear you sayHey You've Got to Hide Your Love Away Hey You've Got to Hide Your Love Away JOHN 1972: 'One of my best songs. Not one of the best recordings, but I like the lyrics.'JOHN 1980: 'I was a bit more artsy-fartsy there. I was lying next to my first wife in bed, (song originally written in 1967) you know, and I was irritated. She must have been going on and on about something and she'd gone to sleep – and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song – rather than 'Why are you always mouthing off at me?' or whatever, right? …and I've sat down and looked at it and said, 'Can I write another one with this meter?' It's so interesting. 'Words are flowing out like endless rain into a paper cup/ They slither while the pass, they slip away across the universe.' Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship – it wrote itself. It drove me out of bed. I didn't want to write it… and I couldn't get to sleep until I put it on paper… It's like being possessed – like a psychic or a medium. The thing has to go down. It won't let you sleep, so you have to get up, make it into something, and then you're allowed to sleep. That's always in the middle of the night when you're half-awake or tired and your critical facilities are switched off.' Words are flowing out like endless rain into a paper cup They slither while they pass, they slip away across the universe Pools of sorrow, waves of joy are drifting through my opened mind Possessing and caressing meJai Guru Deva, Om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my worldImages of broken light which dance before me like a million eyes They call me on and on across the universe Thoughts meander like a restless wind inside a letter box They tumble blindly as they make their way across the universeJai Guru Deva, Om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my worldSounds of laughter, shades of life are ringing through my open ears Inciting and inviting me Limitless undying love which shines around me like a million suns It calls me on and on across the universeJai Guru Deva, Om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my worldJai Guru Deva Jai Guru Deva Jai Guru Deva Jai Guru Deva Jai Guru Deva Jai Guru Deva JOHN 1972: 'This was one of his first biggies.'JOHN 1980: ''All My Loving' is Paul, I regret to say. Because it's a damn fine piece of work. But I play a pretty mean guitar in back.'PAUL 1984: 'Yeah, I wrote that one. It was the first song I ever wrote where I had the words before the music. I wrote the words on a bus on tour, then we got the tune when I arrived there. The first time I've ever worked upside down.'PAUL 1988: 'I think that was the first song where I wrote the words without the tune. I wrote the words on the tour bus during our tour with Roy Orbison. We did alot of writing then.'PAUL circa-1994: 'It was a good show song. It worked well live.' Close your eyes and I'll kiss you Tomorrow I'll miss you Remember I'll always be true And then while I'm away I'll write home every day And I'll send all my loving to youI'll pretend that I'm kissing The lips I am missing And hope that my dreams will come true And then while I'm away I'll write home every day And I'll send all my loving to youAll my loving I will send to you All my loving, darling I'll be trueClose your eyes and I'll kiss you Tomorrow I'll miss you Remember I'll always be true And then while I'm away I'll write home every day And I'll send all my loving to youAll my loving I will send to you All my loving, darling I'll be true All my loving, all my loving ooh All my loving I will send to you JOHN 1968: 'Well, when Paul first sang 'Hey Jude' to me… or played me the little tape he'd made of it… I took it very personally. 'Ah, it's me,' I said, 'It's me.' He says, 'No, it's me.' I said, 'Check. We're going through the same bit.' So we all are. Whoever is going through a bit with us is going through it, that's the groove.'JOHN 1972: 'That's his best song.'PAUL 1974: 'I remember I played it to John and Yoko, and I was saying, 'These words won't be on the finished version.' Some of the words were: 'The movement you need is on your shoulder,' and John was saying, 'It's great!' I'm saying, 'It's crazy, it doesn't make any sense at all.' He's saying, 'Sure it does, it's great.''JOHN 1980: 'He said it was written about Julian. He knew I was splitting with Cyn and leaving Julian then. He was driving to see Julian to say hello. He had been like an uncle. And he came up with 'Hey Jude.' But I always heard it as a song to me. Now I'm sounding like one of those fans reading things into it… Think about it: Yoko had just come into the picture. He is saying. 'Hey, Jude' – 'Hey, John.' Subconsciously, he was saying, 'Go ahead, leave me.' On a conscious level, he didn't want me to go ahead. The angel in him was saying, 'Bless you.' The devil in him didn't like it at all, because he didn't want to lose his partner.'PAUL 1985: 'I remember on 'Hey Jude' telling George not to play guitar. He wanted to do echo riffs after the vocal phrases, which I didn't think was appropriate. He didn't see it like that, and it was a bit of a number for me to have to 'dare' to tell George Harrison – who's one of the greats – not to play. It was like an insult. But that's how we did alot of our stuff.'PAUL circa-1994: 'There is an amusing story about recording it… Ringo walked out to go to the toilet and I hadn't noticed. The toilet was only a few yards from his drum booth, but he'd gone past my back and I still thought he was in his drum booth. I started what was the actual take – and 'Hey Jude' goes on for hours before the drums come in – and while I was doing it I suddenly felt Ringo tiptoeing past my back rather quickly, trying to get to his drums. And just as he got to his drums, boom boom boom, his timing was absolutely impeccable.' Hey, Jude, don't make it bad Take a sad song and make it better Remember to let her into your heart Then you can start to make it betterHey, Jude, don't be afraid You were made to go out and get her The minute you let her under your skin Then you begin to make it betterAnd anytime you feel the pain, Hey, Jude, refrain Don't carry the world upon your shoulders For well you know that it's a fool Who plays it cool By making his world a little colderNah, nah nah, nah nah, nah nah, nah nahHey, Jude, don't let me down You have found her, now go and get her Remember to let her into your heart Then you can start to make it betterSo let it out and let it in, Hey, Jude, begin You're waiting for someone to perform with And don't you know that it's just you, Hey, Jude, you'll do The movement you need is on your shoulderNah, nah nah, nah nah, nah nah, nah nah yeahHey, Jude, don't make it bad Take a sad song and make it better Remember to let her under your skin Then you'll begin to make it better, better, better, better, better... oh!Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (Jude) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (yeah, yeah, yeah) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (don't make it bad, Jude) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (take a sad song and make it better) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (oh, Jude) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (Jude, hey, Jude, whoa) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude (ooh) Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude Nah, nah nah, nah nah, nah, nah, nah nah, Hey, Jude [fade out] Something (George Harrison) PAUL 1969: 'I like George's song 'Something.' For me I think it's the best he's written.'GEORGE 1969: 'I wrote the song 'Something' for the album before this one, but I never finished it off until just recently. I usually get the first few lines of words and music together, both at once… and then finish the rest of the melody. Then I have to write the words. It's like another song I wrote when we were in India. I wrote the whole first verse and just said everything I wanted to say, and so now I need to write a couple more verses. I find that much more difficult. But John gave me a handy tip. He said, 'Once you start to write a song, try to finish it straight away while you're still in the same mood.' Sometimes you go back to it and you're in a whole different state of mind. So now, I do try to finish them straight away.'GEORGE 1980: ''Something' was written on the paino while we were making the White Album. I had a break while Paul was doing some overdubbing so I went into an empty studio and began to write. That's really all there is to it, except the middle took some time to sort out. It didn't go on the White Album because we'd already finished all the tracks.' Something in the way she moves Attracts me like no other lover Something in the way she woos meI don't want to leave her now You know I believe and howSomewhere in her smile she knows That I don't need no other lover Something in her style that shows meDon't want to leave her now You know I believe and howYou're asking me will my love grow I don't know, I don't know You stick around, now it may show I don't know, I don't knowSomething in the way she knows And all I have to do is think of her Something in the things she shows meI don't want to leave her now You know I believe and how JOHN 1980: 'Now that's Paul. Another good lyric. Shows he's capable of writing complete songs.'PAUL circa-1994: ''Fool On The Hill' was mine and I think I was writing about someone like the Maharishi. His detractors called him a fool. Because of his giggle he wasn't taken too seriously… I was sitting at the piano at my father's house in Liverpool hitting a D6 chord, and I made up 'Fool On The Hill.'' Day after day Alone on a hill The man with the foolish grin Is keeping perfectly still But nobody wants to know him They can see that he's just a fool And he never gives an answerBut the fool on the hill Sees the sun going down And the eyes in his head See the world spinning 'roundWell on the way Head in a cloud The man of a thousand voices Talking perfectly loudBut nobody ever hears him Or the sound he appears to make And he never seems to noticeBut the fool on the hill Sees the sun going down And the eyes in his head See the world spinning 'roundAnd nobody seems to like him They can tell what he wants to do And he never shows his feelingsBut the fool on the hill Sees the sun going down And the eyes in his head See the world spinning 'round, oh oh oh, 'round 'round 'round 'roundHe never listens to them He knows that they're the fools They don't like himThe fool on the hill Sees the sun going down And the eyes in his head See the world spinning 'roundOh, 'round 'round 'round 'round, oh Till There Was You (Meredith Willson) There were bells on a hill But I never heard them ringing No, I never heard them at all Till there was youThere were birds in the sky But I never saw them winging No, I never saw them at all Till there was youThen there was music and wonderful roses They tell me in sweet fragrant meadows Of dawn and dewThere was love all around But I never heard it singing No, I never heard it at all Till there was youThen there was music and wonderful roses They tell me in sweet fragrant meadows Of dawn and dewThere was love all around But I never heard it singing No, I never heard it at all Till there was you Till there was you PAUL 1970: 'The album was finished a year ago, but a few months ago American record producer Phil Spector was called in by John Lennon to tidy up some of the tracks. But a few weeks ago, I was sent a re-mixed version of my song 'The Long And Winding Road' with harps, horns, an orchestra, and a women's choir added. No one had asked me what I thought. I couldn't believe it. The record came with a note from Allen Klein saying he thought the changes were necessary. I don't blame Phil Spector for doing it, but it just goes to show that it's no good me sitting here thinking I'm in control because obviously I'm not. Anyway, I've sent Klein a letter asking for some things to be altered, but I haven't received an answer yet.'JOHN 1980: 'Paul again. He had a little spurt just before we split.'PAUL circa-1994: 'It's rather a sad song. I like writing sad songs, it's a good bag to get into because you can actually acknowledge some deeper feelings of your own and put them in it. It's a good vehicle, it saves having to go to a psychiatrist. Songwriting often performs that feat – you say it, but you don't embarrass yourself because it's only a song, or is it? You are putting the things that are bothering you on the table and you are reviewing them, but because it's a song, you don't have to argue with anyone… It's a sad song because it's all about the unattainable; the door you never quite reach. This is the road that you never get to the end of.' The long and winding road, that leads, to your door Will never disappear, I've seen that road before It always leads me here, lead me to your door The wild and windy night, that the rain, washed away Has left a pool of tears, crying for the day Why leave me standing here, let me know the wayMany times I've been alone, and many times I've cried Any way you'll never know, the many ways I've tried And still they lead me back, to the long winding road You left me standing here a long long time ago Don't leave me waiting here, lead me to your doorBut still they lead me back to the long winding road You left me standing here, a long long time ago Don't keep me waiting here (Don't keep me wait), lead me to your door Yeah, yeah, yeah, yeah Here Comes the Sun (George Harrison) GEORGE 1980: '…written at a time when Apple was getting like school, where we had to go and be businessmen – all this signing accounts, and 'sign this' and 'sign that.' Anyway, it seems as if winter in England goes on forever; by the time spring comes you really deserve it. So one day I decided, 'I'm going to sag-off Apple,' and I went over to Eric Clapton's house. I was walking in his garden. The relief of not having to go and see all those dopey accountants was wonderful. And I was walking around the garden with one of Eric's acoustic guitars, and wrote 'Here Comes The Sun.' Here comes the sun, here comes the sun And I say it's all rightLittle darling, it's been a long cold lonely winter Little darling, it feels like years since it's been hereHere comes the sun, here comes the sun And I say it's all rightLittle darling, the smiles returning to the faces Little darling, it seems like years since it's been hereHere comes the sun, here comes the sun And I say it's all rightSun, sun, sun, here it comes Sun, sun, sun, here it comes Sun, sun, sun, here it comes Sun, sun, sun, here it comes Sun, sun, sun, here it comesLittle darling, I feel that ice is slowly melting Little darling, it seems like years since it's been clearHere comes the sun, here comes the sun And I say it's all right Here comes the sun, here comes the sun It's all right, it's all right PAUL 1968: 'It's simple in concept because you couldn't think of anything else to put on it. Maybe on 'Pepper' we would have sort of worked on it until we could find some way to put violins or trumpets in there. But I don't think it needs it, this one. You know, it's just… There's nothing to the song. It is just one of those 'pick it and sing it' and that's it. The only point where we were thinking of putting anything on it is where it comes back in the end… sort of stops and comes back in… but instead of putting any backing on it, we put a blackbird on it. So there's a blackbird singing at the very end. And somebody said it was a thrush, but I think it's a blackbird!'JOHN 1980: 'I gave him (Paul) a line on that one.'PAUL circa-1994: 'The original inspiration was from a well-known piece by Bach, which I never know the title of, which George and I had learned to play at an early age – he better than me actually. Part of its structure is a particular harmonic thing between the melody and the bass line which intrigued me… I developed the melody based on the Bach piece and took it somewhere else, took it to another level, then I just fitted words to it. I had in my mind a black woman, rather than a bird. Those were the days of the civil-rights movement, which all of us cared passionately about. So this was really a song from me to a black woman, experiencing these problems in the states… 'Let me encourage you to keep trying, to keep your faith, there is hope.' As is often the case with my things, a veiling took place. So, rather than say 'Black woman living in Little Rock' and be very specific, she became a bird, became symbolic, so you could apply it to your particular problem.' Blackbird singing in the dead of night Take these broken wings and learn to fly All your life You were only waiting for this moment to ariseBlackbird singing in the dead of night Take these sunken eyes and learn to see All your life You were only waiting for this moment to be freeBlack bird fly, black bird fly Into the light of the dark black nightBlack bird fly, black bird fly Into the light of the dark black nightBlackbird singing in the dead of night Take these broken wings and learn to fly All your life You were only waiting for this moment to arise You were only waiting for this moment to arise You were only waiting for this moment to arise JOHN 1972: 'Both of us wrote it. The first half was Paul's and the middle-eight is mine.'JOHN 1980: ''And I Love Her' is Paul again. I consider it his first 'Yesterday.' You know, the big ballad in 'A Hard Day's Night.'PAUL 1984: 'It's just a love song. It wasn't for anyone. Having the title start in midsentence, I thought that was clever. Well, Perry Como did 'And I Love You So' many years later. Tried to nick the idea. I like that… it was a nice tune, that one. I still like it.' I give her all my love That's all I do And if you saw my love You'd love her too I love herShe gives me everything And tenderly The kiss my lover brings She brings to me And I love herA love like ours Could never die As long as I Have you near meBright are the stars that shine Dark is the sky I know this love of mine Will never die And I love herBright are the stars that shine Dark is the sky I know this love of mine Will never die And I love her PAUL 1984: 'I wrote that. My kind of ballad from that period. One of my daughters likes that. Still works. The other thing I remember is that George Martin was offended that I used another arranger. He was busy and I was itching to get on with it; I was inspired. I think George had a lot of difficulty forgiving me for that. It hurt him; I didn't mean to.' Wednesday morning at five o'clock as the day begins Silently closing her bedroom door Leaving the note that she hoped would say more She goes downstairs to the kitchen clutching her handkerchief Quietly turning the backdoor key Stepping outside she is freeShe (We gave her most of our lives) Is leaving (Sacrificed most of our lives) Home (We gave her everything money could buy) She's leaving home after living alone For so many years (Bye bye)Father snores as his wife gets into her dressing gown Picks up the letter that's lying there Standing alone at the top of the stairs She breaks down and cries to her husband "Daddy our baby's gone Why would she treat us so thoughtlessly? How could she do this to me?"She (We never thought of ourselves) Is leaving (Never a thought for ourselves) Home (We struggled hard all our lives to get by) She's leaving home after living alone For so many years (Bye bye)Friday morning at nine o'clock she is far away Waiting to keep the appointment she made Meeting a man from the motor tradeShe (What did we do that was wrong) Is having (We didn't know it was wrong) Fun (Fun is the one thing that money can't buy) Something inside that was always denied For so many years (Bye bye)She's leaving home Bye bye JOHN 1972: 'This was a great one of his.'JOHN 1980: 'That's Paul's song completely, I believe. And one of my favorite songs of the Beatles.'PAUL 1984: 'I wrote that by John's pool one day. When we were working together, sometimes he came in to see me. But mainly, I went out to see him.'PAUL circa-1994: ''Here, There and Everywhere' has a couple of interesting structural points about it… each verse takes a word. 'Here' discusses here, Next verse, 'there' discusses there, then it pulls it all together in the last verse with 'everywhere.' …John might have helped with a few last words.' To lead a better life I need my love to be here...Here, making each day of the year Changing my life with the wave of her hand Nobody can deny that there's something thereThere, running my hands through her hair Both of us thinking how good it can be Someone is speaking but she doesn't know he's thereI want her everywhere and if she's beside me I know I need never care But to love her is to need her everywhere Knowing that love is to shareEach one believing that love never dies Watching her eyes and hoping I'm always thereI want her everywhere and if she's beside me I know I need never care But to love her is to need her everywhere Knowing that love is to shareEach one believing that love never dies Watching her eyes and hoping I'm always thereI will be there and everywhere Here, there and everywhere JOHN 1980: 'That's Paul… I think it was inspired by 'Bridge Over Troubled Water.' That's my feeling, although I have nothing to go on. I know he wanted to write a 'Bridge Over Troubled Water.''PAUL 1986: 'I had alot of bad times in the '60s. We used to lie in bed and wonder what was going on and feel quite paranoid. Probably all the drugs. I had a dream one night about my mother. She died when I was fourteen so I hadn't really heard from her in quite a while, and it was very good. It gave me some strength.'PAUL circa-1994: 'One night during this tense time I had a dream I saw my mum, who'd been dead ten years or so. And it was great to see her because that's a wonderful thing about dreams, you actually are reunited with that person for a second… In the dream she said, 'It'll be alright.' I'm not sure if she used the words 'Let it be' but that was the gist of her advice, it was 'Don't worry too much, it will turn out okay.' It was such a sweet dream I woke up thinking, 'Oh, it was really great to visit with her again.' I felt very blessed to have that dream.' When I find myself in times of trouble Mother Mary comes to me Speaking words of wisdom Let it beAnd in my hour of darkness She is standing right in front of me Speaking words of wisdom Let it beLet it be, let it be, let it be, let it be Whisper words of wisdom Let it beAnd when the broken-hearted people Living in the world agree There will be an answer Let it beFor though they may be parted there is Still a chance that they will see There will be an answer Let it beLet it be, let it be, let it be, let it be Yeah, there will be an answer Let it beLet it be, let it be, let it be, let it be Whisper words of wisdom Let it beLet it be, let it be, let it be, let it be Whisper words of wisdom Let it beAnd when the night is cloudy There is still a light that shines on me Shine until tomorrow Let it beI wake up to the sound of music Mother Mary comes to me Speaking words of wisdom Let it beLet it be, let it be, let it be, yeah, let it be There will be an answer Let it beLet it be, let it be, let it be, yeah, let it be There will be an answer Let it beLet it be, let it be, let it be, yeah, let it be Whisper words of wisdom Let it be |
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