The Beatles Lyrics, album "Yesterday and Today"
GEORGE 1977: 'If Paul had written a song, he'd learn all the parts and then come in the studio and say 'Do this.' He'd never give you the opportunity to come out with something.
But on 'Drive My Car' I just played the line, which is really like a lick off 'Respect,' you know, the Otis Redding version.
And I played the line on the guitar and Paul laid that with me on the bass.
We laid that track down like that.
We played the lead part later on top of it.'JOHN 1980: 'His (Paul's) song, with contributions from me.'PAUL circa-1994: 'This is one of the songs where John and I came nearest to having a dry session.
The lyrics I brought in were something to do with golden rings, which are always fatal (to songwriting).
'Rings' is fatal anyway, 'rings' always rhymes with things and I knew it was a bad idea.
I came in and I said, 'These aren't good lyrics but it's a good tune.' Well, we tried, and John couldn't think of anything, and we tried, and eventually it was, 'Oh let's leave it, let's get off this one.' 'No, no.
We can do it, we can do it.' So we had a break… then we came back to it, and somehow it became 'drive-my-car' instead of 'gol-den-rings,' and then it was wonderful – because this nice tongue-in-cheek idea came.'
But on 'Drive My Car' I just played the line, which is really like a lick off 'Respect,' you know, the Otis Redding version.
And I played the line on the guitar and Paul laid that with me on the bass.
We laid that track down like that.
We played the lead part later on top of it.'JOHN 1980: 'His (Paul's) song, with contributions from me.'PAUL circa-1994: 'This is one of the songs where John and I came nearest to having a dry session.
The lyrics I brought in were something to do with golden rings, which are always fatal (to songwriting).
'Rings' is fatal anyway, 'rings' always rhymes with things and I knew it was a bad idea.
I came in and I said, 'These aren't good lyrics but it's a good tune.' Well, we tried, and John couldn't think of anything, and we tried, and eventually it was, 'Oh let's leave it, let's get off this one.' 'No, no.
We can do it, we can do it.' So we had a break… then we came back to it, and somehow it became 'drive-my-car' instead of 'gol-den-rings,' and then it was wonderful – because this nice tongue-in-cheek idea came.'
Asked a girl what she wanted to be
She said baby, "Can't you see
I wanna be famous, a star of the screen
But you can do something in between"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love youI told the girl that my prospects were good
She said baby, "It's understood
Working for peanuts is all very fine
But I can show you a better time"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love you
Beep beep mm, beep beep yeahBaby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love youI told that girl I can start right away
And she said, "Listen baby I've got something to say
I got no car and it's breaking my heart
But I've found a driver and that's a start"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love you
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah (fade out)
She said baby, "Can't you see
I wanna be famous, a star of the screen
But you can do something in between"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love youI told the girl that my prospects were good
She said baby, "It's understood
Working for peanuts is all very fine
But I can show you a better time"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love you
Beep beep mm, beep beep yeahBaby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love youI told that girl I can start right away
And she said, "Listen baby I've got something to say
I got no car and it's breaking my heart
But I've found a driver and that's a start"Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And maybe I'll love you
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah
Beep beep mm beep beep yeah (fade out)
JOHN 1980: 'It's got backwards guitars… that's me dreaming my life away.'PAUL circa-1994: 'It was a nice idea – 'There's nothing wrong with it.
I'm not being lazy, I'm only sleeping, I'm yawning, I'm meditating, I'm having a lay-in.' The luxury of all that was what it was all about.
The song was co-written but from John's original idea.'
I'm not being lazy, I'm only sleeping, I'm yawning, I'm meditating, I'm having a lay-in.' The luxury of all that was what it was all about.
The song was co-written but from John's original idea.'
When I wake up early in the morning
Lift my head, I'm still yawning
When I'm in the middle of a dream
Stay in bed, float up stream (Float up stream)Please, don't wake me, no, don't shake me
Leave me where I am, I'm only sleepingEverybody seems to think I'm lazy
I don't mind, I think they're crazy
Running everywhere at such a speed
Till they find there's no need (There's no need)Please, don't spoil my day, I'm miles away
And after all I'm only sleepingKeeping an eye on the world going by my window
Taking my timeLying there and staring at the ceiling
Waiting for a sleepy feeling...Please, don't spoil my day, I'm miles away
And after all I'm only sleepingOoh yeahKeeping an eye on the world going by my window
Taking my timeWhen I wake up early in the morning
Lift my head, I'm still yawning
When I'm in the middle of a dream
Stay in bed, float up stream (Float up stream)Please, don't wake me, no, don't shake me
Leave me where I am, I'm only sleeping
Lift my head, I'm still yawning
When I'm in the middle of a dream
Stay in bed, float up stream (Float up stream)Please, don't wake me, no, don't shake me
Leave me where I am, I'm only sleepingEverybody seems to think I'm lazy
I don't mind, I think they're crazy
Running everywhere at such a speed
Till they find there's no need (There's no need)Please, don't spoil my day, I'm miles away
And after all I'm only sleepingKeeping an eye on the world going by my window
Taking my timeLying there and staring at the ceiling
Waiting for a sleepy feeling...Please, don't spoil my day, I'm miles away
And after all I'm only sleepingOoh yeahKeeping an eye on the world going by my window
Taking my timeWhen I wake up early in the morning
Lift my head, I'm still yawning
When I'm in the middle of a dream
Stay in bed, float up stream (Float up stream)Please, don't wake me, no, don't shake me
Leave me where I am, I'm only sleeping
JOHN 1980: 'I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down.
Then 'Nowhere Man' came, words and music… the whole damn thing, as I lay down.
So letting it go is what the whole game is.
You put your finger on it, it slips away, right? You know, you turn the lights on and the cockroaches run away.
You can never grasp them.'PAUL 1984: 'That was John after a night out, with dawn coming up.
I think at that point in his life, he was a bit wondering where he was going.'PAUL 1988: 'I remember we wanted very treble-y guitars – which they are – they're among the most treble-y guitars I've ever heard on record.
The engineer said, 'Alright, I'll put full treble on it,' and we said, 'That's not enough.' He said, 'But that's all I've got.' And we replied, 'Well, put that through another lot of faders and put full treble up on that.
And if that's not enough we'll go through another lot of faders.' They said, 'We don't do that,' and we would say, 'Just try it… if it sounds crappy we'll lose it, but it might just sound good.' You'd then find, 'Oh it worked,' and they were secretly glad because they had been the engineer who put three times the allowed value of treble on a song.
I think they were quietly proud of those things.'
Then 'Nowhere Man' came, words and music… the whole damn thing, as I lay down.
So letting it go is what the whole game is.
You put your finger on it, it slips away, right? You know, you turn the lights on and the cockroaches run away.
You can never grasp them.'PAUL 1984: 'That was John after a night out, with dawn coming up.
I think at that point in his life, he was a bit wondering where he was going.'PAUL 1988: 'I remember we wanted very treble-y guitars – which they are – they're among the most treble-y guitars I've ever heard on record.
The engineer said, 'Alright, I'll put full treble on it,' and we said, 'That's not enough.' He said, 'But that's all I've got.' And we replied, 'Well, put that through another lot of faders and put full treble up on that.
And if that's not enough we'll go through another lot of faders.' They said, 'We don't do that,' and we would say, 'Just try it… if it sounds crappy we'll lose it, but it might just sound good.' You'd then find, 'Oh it worked,' and they were secretly glad because they had been the engineer who put three times the allowed value of treble on a song.
I think they were quietly proud of those things.'
He's a real nowhere man
Sitting in his nowhere land
Making all his nowhere plans for nobodyDoesn't have a point of view
Knows not where he's going to
Isn't he a bit like you and me?Nowhere Man, please listen
You don't know what you're missing
Nowhere Man, the world is at your commandHe's as blind as he can be
Just sees what he wants to see
Nowhere Man can you see me at all?Nowhere Man, don't worry
Take your time, don't hurry
Leave it all till somebody else lends you a handDoesn't have a point of view
Knows not where he's going to
Isn't he a bit like you and me?Nowhere Man, please listen
You don't know what you're missing
Nowhere Man, the world is at your commandHe's a real Nowhere Man
Sitting in his nowhere land
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
Sitting in his nowhere land
Making all his nowhere plans for nobodyDoesn't have a point of view
Knows not where he's going to
Isn't he a bit like you and me?Nowhere Man, please listen
You don't know what you're missing
Nowhere Man, the world is at your commandHe's as blind as he can be
Just sees what he wants to see
Nowhere Man can you see me at all?Nowhere Man, don't worry
Take your time, don't hurry
Leave it all till somebody else lends you a handDoesn't have a point of view
Knows not where he's going to
Isn't he a bit like you and me?Nowhere Man, please listen
You don't know what you're missing
Nowhere Man, the world is at your commandHe's a real Nowhere Man
Sitting in his nowhere land
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
JOHN 1972: 'Me.
I think Paul helped with the middle.'JOHN 1980: 'Another of mine.
Mainly about drugs and pills.
It was about myself.
I was the one that carried all the pills on tour… later on the roadies did it.
We just kept them in our pockets, loose, in case of trouble.'PAUL circa-1994: 'John and I thought that was a funny idea – the fantasy doctor who would fix you up by giving you drugs.
It was a parody on that idea.'
I think Paul helped with the middle.'JOHN 1980: 'Another of mine.
Mainly about drugs and pills.
It was about myself.
I was the one that carried all the pills on tour… later on the roadies did it.
We just kept them in our pockets, loose, in case of trouble.'PAUL circa-1994: 'John and I thought that was a funny idea – the fantasy doctor who would fix you up by giving you drugs.
It was a parody on that idea.'
Ring my friend, I said you call Doctor Robert
Day or night he'll be there any time at all, Doctor Robert
Doctor Robert, you're a new and better man
He helps you to understand
He does everything he can, Doctor RobertIf you're down he'll pick you up, Doctor Robert
Take a drink from his special cup, Doctor Robert
Doctor Robert, he's a man you must believe
Helping everyone in need
No one can succeed like Doctor RobertWell, well, well, you're feeling fine
Well, well, well, he'll make you... Doctor RobertMy friend works for the national health, Doctor Robert
Don't pay money just to see yourself with Doctor Robert
Doctor Robert, you're a new and better man
He helps you to understand
He does everything he can, Doctor RobertWell, well, well, you're feeling fine
Well, well, well, he'll make you... Doctor RobertRing my friend, I said you'd call Doctor Robert
Ring my friend, I said you'd call Doctor Robert
Doctor Robert
Day or night he'll be there any time at all, Doctor Robert
Doctor Robert, you're a new and better man
He helps you to understand
He does everything he can, Doctor RobertIf you're down he'll pick you up, Doctor Robert
Take a drink from his special cup, Doctor Robert
Doctor Robert, he's a man you must believe
Helping everyone in need
No one can succeed like Doctor RobertWell, well, well, you're feeling fine
Well, well, well, he'll make you... Doctor RobertMy friend works for the national health, Doctor Robert
Don't pay money just to see yourself with Doctor Robert
Doctor Robert, you're a new and better man
He helps you to understand
He does everything he can, Doctor RobertWell, well, well, you're feeling fine
Well, well, well, he'll make you... Doctor RobertRing my friend, I said you'd call Doctor Robert
Ring my friend, I said you'd call Doctor Robert
Doctor Robert
Yesterday
They're gonna put me in the movies
They're gonna make a big star out of me
We'll make a film about a man that's sad and lonely
And all I gotta do is act naturallyWell, I'll bet you I'm gonna be a big star
Might win an Oscar you can never tell
The movies gonna make me a big star
Cos I can play the part so wellWell I hope you'll come and see me in the movies
Then I know that you will plainly see
The biggest fool that ever hit the big time
And all I gotta do is act naturallyWe'll make the scene about a man that's sad and lonely
And begging down upon his bended knee
I'll play the part and I won't need rehearsing
All I have to do is act naturallyWell, I'll bet you I'm gonna be a big star
Might win an Oscar you can never tell
The movies gonna make me a big star
Cos I can play the part so wellWell I hope you'll come and see me in the movies
Then I know that you will plainly see
The biggest fool that ever hit the big time
And all I gotta do is act naturally
They're gonna make a big star out of me
We'll make a film about a man that's sad and lonely
And all I gotta do is act naturallyWell, I'll bet you I'm gonna be a big star
Might win an Oscar you can never tell
The movies gonna make me a big star
Cos I can play the part so wellWell I hope you'll come and see me in the movies
Then I know that you will plainly see
The biggest fool that ever hit the big time
And all I gotta do is act naturallyWe'll make the scene about a man that's sad and lonely
And begging down upon his bended knee
I'll play the part and I won't need rehearsing
All I have to do is act naturallyWell, I'll bet you I'm gonna be a big star
Might win an Oscar you can never tell
The movies gonna make me a big star
Cos I can play the part so wellWell I hope you'll come and see me in the movies
Then I know that you will plainly see
The biggest fool that ever hit the big time
And all I gotta do is act naturally
JOHN 1972: 'Another horror.'JOHN 1980: 'Another of my throwaways.'GEORGE 1987: 'I think it was Paul and me, or maybe John and me, playing (guitar) in harmony – quite a complicated little line that goes through the middle-eight.'PAUL 1995: 'One of my favorites on the Anthology is, 'And Your Bird Can Sing,' which is a nice song, but this take of it was one we couldn't use at the time.
John and I got a fit of the giggles while we were doing the double-track.
You couldn't have released it at the time.
But now you can.
Sounds great just hearing us lose it on a take.'
John and I got a fit of the giggles while we were doing the double-track.
You couldn't have released it at the time.
But now you can.
Sounds great just hearing us lose it on a take.'
You tell me that you've got everything you want
And your bird can sing
But you don't get me, you don't get meYou say you've seen Seven Wonders and your bird is green
But you can't see me, you can't see meWhen your prized possessions start to weigh you down
Look in my direction, I'll be 'round, I'll be 'roundWhen your bird is broken will it bring you down
You may be awoken, I'll be 'round, I'll be 'roundYou tell me that you've heard every sound there is
And your bird can swing
But you can't hear me, you can't hear me
And your bird can sing
But you don't get me, you don't get meYou say you've seen Seven Wonders and your bird is green
But you can't see me, you can't see meWhen your prized possessions start to weigh you down
Look in my direction, I'll be 'round, I'll be 'roundWhen your bird is broken will it bring you down
You may be awoken, I'll be 'round, I'll be 'roundYou tell me that you've heard every sound there is
And your bird can swing
But you can't hear me, you can't hear me
If I Needed Someone
(George Harrison)
(George Harrison)
GEORGE 1980: ''If I Needed Someone' is like a million other songs written around a D chord.
If you move your finger about you get various little melodies.
That guitar line, or variations on it, is found in many a song, and it amazes me that people still find new permutations of the same notes.'
If you move your finger about you get various little melodies.
That guitar line, or variations on it, is found in many a song, and it amazes me that people still find new permutations of the same notes.'
If I needed someone to love
You're the one that I'd be thinking of
If I needed someoneIf I had some more time to spend
Then I guess I'd be with you my friend
If I needed someoneHad you come some other day
Then it might not have been like this
But you see now I'm too much in loveCarve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah, ah, ahIf I had some more time to spend
Then I guess I'd be with you my friend
If I needed someoneHad you come some other day
Then it might not have been like this
But you see now I'm too much in loveCarve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah
You're the one that I'd be thinking of
If I needed someoneIf I had some more time to spend
Then I guess I'd be with you my friend
If I needed someoneHad you come some other day
Then it might not have been like this
But you see now I'm too much in loveCarve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah, ah, ahIf I had some more time to spend
Then I guess I'd be with you my friend
If I needed someoneHad you come some other day
Then it might not have been like this
But you see now I'm too much in loveCarve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah
JOHN 1980: 'Paul did the first half, I did the middle-eight.
But you've got Paul writing, 'We can work it out/ We can work it out' real optimistic, you know.
And me, impatient, 'Life is very short and there's no time/ for fussing and fighting, my friend.''PAUL circa-1994: 'I wrote it as more of an up-tempo thing, country and western.
I had the basic idea, the title, had a couple of verses… then I took it to John to finish it off and we wrote the middle together, which is nice – 'Life is very short/ And there's no time for fussing and fighting my friend.' Then it was George Harrison's idea to put the middle into waltz time, like a german waltz… The lyrics might have been personal.
It is often a good way to talk to someone or to work your thoughts out.
It saves you going to a psychiatrist, you allow yourself to say what you might not say in person.'
But you've got Paul writing, 'We can work it out/ We can work it out' real optimistic, you know.
And me, impatient, 'Life is very short and there's no time/ for fussing and fighting, my friend.''PAUL circa-1994: 'I wrote it as more of an up-tempo thing, country and western.
I had the basic idea, the title, had a couple of verses… then I took it to John to finish it off and we wrote the middle together, which is nice – 'Life is very short/ And there's no time for fussing and fighting my friend.' Then it was George Harrison's idea to put the middle into waltz time, like a german waltz… The lyrics might have been personal.
It is often a good way to talk to someone or to work your thoughts out.
It saves you going to a psychiatrist, you allow yourself to say what you might not say in person.'
Try to see it my way
Do I have to keep on talking till I can't go on?
While you see it your way
Run the risk of knowing that our love may soon be goneWe can work it out
We can work it outThink of what you're saying
You can get it wrong and still you think that it's alright
Think of what I'm saying
We can work it out and get it straight, or say goodnightWe can work it out
We can work it outLife is very short, and there's no time
For fussing and fighting, my friend
I have always thought that it's a crime
So I will ask you once againTry to see it my way
Only time will tell if I am right or I am wrong
While you see your way,
There's a chance that we may fall apart before too longWe can work it out
We can work it outLife is very short, and there's no time
For fussing and fighting, my friend
I have always thought that it's a crime
So I will ask you once againTry to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There's a chance that we may fall apart before too longWe can work it out
We can work it out
Do I have to keep on talking till I can't go on?
While you see it your way
Run the risk of knowing that our love may soon be goneWe can work it out
We can work it outThink of what you're saying
You can get it wrong and still you think that it's alright
Think of what I'm saying
We can work it out and get it straight, or say goodnightWe can work it out
We can work it outLife is very short, and there's no time
For fussing and fighting, my friend
I have always thought that it's a crime
So I will ask you once againTry to see it my way
Only time will tell if I am right or I am wrong
While you see your way,
There's a chance that we may fall apart before too longWe can work it out
We can work it outLife is very short, and there's no time
For fussing and fighting, my friend
I have always thought that it's a crime
So I will ask you once againTry to see it my way
Only time will tell if I am right or I am wrong
While you see it your way
There's a chance that we may fall apart before too longWe can work it out
We can work it out
RINGO 1966: 'I contributed about five words to 'What Goes On.' (laughs) And I haven't done a thing since!'JOHN 1972: 'A very early song of mine.
Ringo and Paul wrote a new middle-eight together when we recorded it.'JOHN 1980: 'That was an early Lennon, written before the Beatles when we were the Quarrymen or something like that.
And resurrected with a middle-eight thrown in, probably with Paul's help, to give Ringo a song… and also to use the bits, because I never liked to waste anything.'
Ringo and Paul wrote a new middle-eight together when we recorded it.'JOHN 1980: 'That was an early Lennon, written before the Beatles when we were the Quarrymen or something like that.
And resurrected with a middle-eight thrown in, probably with Paul's help, to give Ringo a song… and also to use the bits, because I never liked to waste anything.'
What goes on in your heart?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?The other day I saw you
As I walked along the road
But when I saw him with you
I could feel my future fold
It's so easy for a girl like you to lie
Tell me whyWhat goes on in your heart?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?I met you in the morning
Waiting for the tides of time
But now the tide is turning
I can see that I was blind
It's so easy for a girl like you to lie
Tell me whyWhat goes on in your heart?I used to think of no one else
But you were just the same
You didn't even think of me
As someone with a name
Did you mean to break my heart and watch me die
Tell me whyWhat goes on in your heart?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?The other day I saw you
As I walked along the road
But when I saw him with you
I could feel my future fold
It's so easy for a girl like you to lie
Tell me whyWhat goes on in your heart?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?I met you in the morning
Waiting for the tides of time
But now the tide is turning
I can see that I was blind
It's so easy for a girl like you to lie
Tell me whyWhat goes on in your heart?I used to think of no one else
But you were just the same
You didn't even think of me
As someone with a name
Did you mean to break my heart and watch me die
Tell me whyWhat goes on in your heart?
What goes on in your mind?
You are tearing me apart
When you treat me so unkind
What goes on in your mind?
JOHN 1972: 'Me.
But I think Paul helped with the verse.'JOHN 1980: 'That's mine.
Including the guitar lick, the guitar break, and the whole bit.
It's just a rock 'n roll song.
Day trippers are people who go on a day trip, right? Usually on a ferry boat or somethng.
But it was kind of – you know, you're just a weekend hippie.
Get it?'PAUL circa-1994: 'Acid was coming on the scene, and we'd often do these songs about 'the girl who thought she was it.' Mainly the impetus for that used to come from John – I think John met quite a few girls who thought they were it… But this was just a tongue-in-cheek song about someone who was a day tripper, a sunday painter, a sunday driver, somebody who was committed only in part to the idea.
Where we saw ourselves as full-time trippers, fully committed drivers, she was just a day tripper.
That was a co-written effort – we were both making it all up but I would give John the main credit.'
But I think Paul helped with the verse.'JOHN 1980: 'That's mine.
Including the guitar lick, the guitar break, and the whole bit.
It's just a rock 'n roll song.
Day trippers are people who go on a day trip, right? Usually on a ferry boat or somethng.
But it was kind of – you know, you're just a weekend hippie.
Get it?'PAUL circa-1994: 'Acid was coming on the scene, and we'd often do these songs about 'the girl who thought she was it.' Mainly the impetus for that used to come from John – I think John met quite a few girls who thought they were it… But this was just a tongue-in-cheek song about someone who was a day tripper, a sunday painter, a sunday driver, somebody who was committed only in part to the idea.
Where we saw ourselves as full-time trippers, fully committed drivers, she was just a day tripper.
That was a co-written effort – we were both making it all up but I would give John the main credit.'
Got a good reason for taking the easy way out
Got a good reason for taking the easy way out now
She was a day tripper, a one way ticket yeah
It took me so long to find out, and I found outShe's a big teaser, she took me half the way there
She's a big teaser, she took me half the way there now
She was a day tripper, a one way ticket yeah
It took me so long to find out, and I found outTried to please her, she only played one night stands
Tried to please her, she only played one night stands now
She was a day tripper, a Sunday driver yeah
It took me so long to find out, and I found outDay tripper
Day tripper yeah
Day tripper
Day tripper yeah
Day tripper
Got a good reason for taking the easy way out now
She was a day tripper, a one way ticket yeah
It took me so long to find out, and I found outShe's a big teaser, she took me half the way there
She's a big teaser, she took me half the way there now
She was a day tripper, a one way ticket yeah
It took me so long to find out, and I found outTried to please her, she only played one night stands
Tried to please her, she only played one night stands now
She was a day tripper, a Sunday driver yeah
It took me so long to find out, and I found outDay tripper
Day tripper yeah
Day tripper
Day tripper yeah
Day tripper